Not sure where to begin in broadcasting my enthusiasm for the subversive, life-giving text displayed above. Let's start with samples: "There is absolutely no reason that you, with your flute-rocking skills, cannot be the Ian Anderson of tomorrow,""Every musician since the beginning of time was, at one point, a beginner," "Your voice can be one of the most powerful instruments you ever own (if you choose to use it). And it’s free!," "A lot of things sound good with distortion on them; personally, I believe distortion is the salt of sound effects—it makes everything better." Amid an arsenal of accessibly technical tips on how to get your own act going (helpful even to a 39-year-old male), Jessica Hopper delivers these good news tidings to her growing and determined public. As a musician, a critic, and the music consultant for This American Life, she knows what she's talking about, AND she's coming to GRIMEY's THIS WEDNESDAY at 6:00 in the PM. Have you heard tell of Sister Rosetta Tharpe “the original shredder?” Did you know that Big Mama Thornton wrote "Hound Dog" or that Carol Kaye played bass on the whole of Pet Sounds? Come on out and hear what all's afoot. I'll be there with my ladies and my boys. I end with more Jessica: "You’ve got all the time in the world to edit and/or drive yourself crazy over the details; attempting to get it perfect on the first try (or second or third for that matter) will only trip you up. Self-doubt is something all artists struggle with, but being self-critical while you’re writing may stunt your growth as a lyricist, and you want to be full-size…You don’t have to try to achieve in a system that excludes you/your band. You can make your own system, whatever you want it to be like."
3 comments:
"The one element necessary to all early creativity: naïveté, that fabulous quality that keeps you from knowing just how unsuited you are for what you are about to do." --Steve Martin
oh ben. that's just fantastic. we thank you.
i love how she takes the lessons of punk/90s indie and liberates them from their subcultural trappings into a more generalized praxis that can be applied anywhere--how she can communicate theory without it being dry but also without dumbing it down. It really is a revolution.
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