Bless This Mess by David Bazan
god bless the man who stumbles
god bless the man who falls
god bless the man who yields to temptation
god bless the woman who suffers
god bless the woman who weeps
god bless the children trying her patience
trouble getting over it is what you’re in for so pour yourself another
it’ll take a steady pair of hands
holy or unholy ghost well now i can’t tell but either way you cut it
you should get some distance if you plan to take a stand
god bless the house divided
god bless the weeds in the wheat
god bless the lamp lit under a bushel
i discovered hell to be the poison in the well
so i tried to warn the others of the curse
then my body turned on me i dreamt that for eternity
my family would burn then i awoke
with a wicked thirst
by my baby’s yellow bed i kissed her forehead and rubbed her little tummy
wondering if she’d soon despise the smell
of the booze on my breath like her mom
through a darkened mirror i have seen my own reflection
and it makes me want to be a better man
after another drink
god bless the man at the crossroads
god bless the woman who still can’t sleep
god bless the history that doesn’t repeat
Tuesday, September 01, 2009
God Bless...
Monday, August 24, 2009
Notes on a Revolution
Not sure where to begin in broadcasting my enthusiasm for the subversive, life-giving text displayed above. Let's start with samples: "There is absolutely no reason that you, with your flute-rocking skills, cannot be the Ian Anderson of tomorrow,""Every musician since the beginning of time was, at one point, a beginner," "Your voice can be one of the most powerful instruments you ever own (if you choose to use it). And it’s free!," "A lot of things sound good with distortion on them; personally, I believe distortion is the salt of sound effects—it makes everything better." Amid an arsenal of accessibly technical tips on how to get your own act going (helpful even to a 39-year-old male), Jessica Hopper delivers these good news tidings to her growing and determined public. As a musician, a critic, and the music consultant for This American Life, she knows what she's talking about, AND she's coming to GRIMEY's THIS WEDNESDAY at 6:00 in the PM. Have you heard tell of Sister Rosetta Tharpe “the original shredder?” Did you know that Big Mama Thornton wrote "Hound Dog" or that Carol Kaye played bass on the whole of Pet Sounds? Come on out and hear what all's afoot. I'll be there with my ladies and my boys. I end with more Jessica: "You’ve got all the time in the world to edit and/or drive yourself crazy over the details; attempting to get it perfect on the first try (or second or third for that matter) will only trip you up. Self-doubt is something all artists struggle with, but being self-critical while you’re writing may stunt your growth as a lyricist, and you want to be full-size…You don’t have to try to achieve in a system that excludes you/your band. You can make your own system, whatever you want it to be like."
Sunday, August 23, 2009
Saturday, August 22, 2009
The Divine Within: Documenting the Secrets of Childhood

| THE DIVINE WITHIN: Documenting the Secrets of Childhood At our most artful and receptive moments--Sarah Masen suspects—we all understand that paying close attention to the creative wisdom of a child is every bit as enriching as meditating, reading sacred text, or taking in a good French film. For Masen, the Director of Children’s Education at Downtown Presbyterian Church, moving out of comfort zones and past an easy sentimentality in our openness to what children would show us is probably our best—our only—hope for emotional development. Opening September 5th in collaboration with the first Saturday Art Crawl, The Downtown Presbyterian Church presents: “The Divine Within: Documenting the Secrets of Childhood”. This years children’s art show features works of collaboration which tweak the conventional mentor/mentored model. The guiding vision places a child-artist in the role of instructor and a collaborating adult as the recipient of theological instruction afforded by the child. This partnering flips the script on curriculums often associated with churches (Point #1 “You’re a sinner”) and presumes, from the outset, what Masen frequently cites as “the already holy spirit” of the child. Prepare your hearts for illumination. Opening begins at 6:00pm. Light fare will be provided for small and grown wayfarers. *** If you would like more information about this show, the participants and origins, or to schedule an interview with Sarah Masen, please call her at (248)505.1476 or email her at sdarkdpc@gmail.com |
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Thursday, August 20, 2009
Wheresoever
Biblically, the Holy Spirit names the faithfulness of God to his own creation. Biblically, the Holy Spirit means the militant presence of the Word of God inhering in the life of the whole of creation. Biblically the Holy Spirit is the Word of God at work both historically and existentially, acting incessantly and pervasively to renew the integrity of life in this world. By virtue of this…affirmation of the biblical witness, the false notion—nourished in my childhood in the Episcopal Church—that the Holy Spirit is, somehow, possessed by and enshrined within the sanctuary of the church was at last refuted, and I was freed from it…It was—it is—the biblical sage of the Word of God as Agitator, as the Holy Spirit, that assures me that wheresoever human conscience is alive and active, that is a sign of the saving vitality of the Word of God in history, here and now.
--William Stringfellow, The Politics of Spirituality
Tuesday, August 18, 2009
"Wherever men hold unequal power in society, they will strive to maintain it. They will use whatever means are convenient to that end and will seek to justify them by the most plausible arguments they are able to devise. Nevertheless there are possibilities of increasing social justice through the development of mind and reason.”
Due Reverence
“An irrational society accepts injustice because it does not analyze the pretensions made by the powerful and privileged groups of society. Even that portion of society which suffers most from injustice may hold the power, responsible for it, in reverence.” Reinhold Niebuhr, Moral Man and Immoral Society
Sunday, August 09, 2009
God Bless the History that Doesn't Repeat
It'll take more time than I have before me right now to make a start at saying what I want to say about Dave Bazan's latest. I'll begin by asking everyone to pay heed to "Bless This Mess" which looks to be the first single (and a magnificent intro to the sensibility of the whole album). Then mosey on over to "The Passion of David Bazan" which, for my money, (and at the risk of putting it oddly) bears witness to his witness better than anything I've read (not just because its author was kind enough to quote me profusely). The author, Jessica Hopper, will be praised at length in a future post noting her upcoming Nashville appearance at Grimey's to promote THIS. In the meantime, consider the song. I believe it's an instance of cosmic plainspeak which, as ever, expands the sphere of sanity little by little.
Thursday, July 30, 2009
Piety ought to be inseparable from critical thinking
Here's the teacher making plain:Tuesday, July 28, 2009
People Have the Power
"The tactics are unorganized, largely leaderless and only just beginning," says Robin Wright.There was a muddy centre before we breathed.
There was a myth before the myth began,
Venerable and articulate and complete.
From this the poem springs: that we live in a place
That is not our own and, much more, not ourselves
And hard it is in spire of blazoned days.
We are the mimics.Clouds are pedagogues.
The air is not a mirror but bare board,
Coulisse bright-dark, tragic chiaroscuro
And comic color of the rose, in which
Abysmal instruments make sounds like pips
Of the sweeping meanings that we add to them.
from Wallace Stevens' "Notes Toward a Supreme Fiction"
Thursday, July 23, 2009
Prophetic Alignments
This is the comprehensive wit of Hortense Spillers. One of my favorite people in the world. I'm not sure how to adequately recommend her beyond urging people to google away and pay heed to the care and subtlety and subversiveness with which she puts things.
I here paste one text she draws out and places along a certain continuum (a "prophetic alignment" she calls it). It's Thomas Jefferson on the slave economy in which he lived and moved and upon which he had his material being:
"Indeed I tremble for my country when I reflect that God is just: that his justice cannot sleep forever: that considering numbers, nature and natural means only, a revolution of the wheel of fortune, an exchange of the situation, is among possible events: that it may become probable by supernatural interference. The Almighty has no attribute which can take side with us in such a contest."
Think about it.
Monday, July 13, 2009

“I made $10.95!” Sarah exclaimed from behind a laptop this morning. She went to bed, woke up, and witnessed the appearance of nearly eleven dollars worth of public affirmation of her song-craft which braved the oceans of Internet while she slept. All manner of things made well.
I wish I was more the lyrical wit, but I’m the one in this relationship who types out the largest number of straightforward sentences (My books, let me say it again, are footnotes for her lyrics). It befalls me to offer the following report.
A little over two years ago, Sarah had a couple of performance appointments closely aligned, Calvin’s Festival of Faith and Music (Emmylou, Neko, Sufjan) and the Greenbelt Festival (Billy Bragg, Over the Rhine), and she suspected it would be impolite to show up without what the young people call product. With the help of Todd Greene and Tony Doling of Bulb, Chris Leonard and Brad Ritter of the Contemporary Music Center, and Brother Jon Foreman of Switchfoot, she’d long accumulated three EP’s worth of material and now saw fit to put together individual, everyone different, stenciled artworks (Like snowflakes I tell you!) to house the plastic. They sold, we might say, like hotcakes, but the demand, mail-order-paypal-wise, was a little more than we could comfortably manage. She ended the online dealio, but often sent them out for free (her anxious partner noticed) to e-mailers whose demands dribbled in via the mostly quiet but still glowing website.
So, just last night, we’re having dinner with Mark and Molly Nicholas at our home. Inquiries concerning one another’s projects leads to Mark’s casual mention of Noisetrade goings-on. We begin to suspect this is what ancient texts refer to as The Shape of Things to Come. So many of our friends and neighbors have climbed aboard. Why not? Joe Kirk and Derek Webb strike us as upstanding citizens. Wouldn’t it be cool it being a gift economy we’re in and all? Molly types away, images are shared, and after they’ve gone home we get an e-mail pronouncing it a done deal. We’ll have the other EP’s up over the next few months.
I think it’s an excellent fit. People who extol Sarah’s music have always been potential friends and co-conspirators rather than--what do they call them?—fans? Share away, my friendlies. Publicize as you see fit. Blog if you want to. Blog around the world. Consider yourselves deputized. Enjoy.
Thursday, July 09, 2009
Saturday, July 04, 2009
A Blessed Interdependence Day To Everyone

So, as Kevin's response indicates, this entry initially contained something completely different image-wise: Pat Benatar video-performing that amazing song, "We Belong to the Light," which fit with something Rich King said to me ("Happy In(ter)dependence Day"). The embedding was regrettably disabled.
I now give you this wondrous image kindly lent to me by my friend, Derek, of the Most Everybody Loves Their Lives blog. You can imagine how agreeably geeked it leaves me.
I hope everyone's had a redemptive-feeling weekend.
Wednesday, July 01, 2009
I am not yours

You Whose Name
You whose name is aggressor and devourer.
Putrid and sultry, in fermentation.
You mash into pulp sages and prophets,
Criminals and heroes, indifferently.
My vocativus is useless.
You do not hear me, though I address you,
Yet I want to speak, for I am against you.
So what if you gulp me, I am not yours.
You overcome me with exhaustion and fever.
You blur my thought, which protests,
You roll over me, dull unconscious power.
The one who will overcome you is swift, armed:
Mind, spirit, maker, renewer.
He jousts with you in depths and on high,
Equestrian, winged, lofty, silver-scaled.
I have served him in the investiture of forms.
It’s not my concern what he will do with me.
A retinue advances in the sunlight by the lakes.
From white villages Easter bells resound.
--Czeslaw Milosz
Wednesday, June 24, 2009
Monday, June 15, 2009
Democracy to Come

I'm beginning to think that the possibility of following the likes of Persiankiwi (whose view of her/his own links is blocked by his/her govt'), Tehranbureau, and their equivalents around the sweet old world is reason enough for people to sign up for twitter. Other media outlets do not (cannot) cut it on a day like today.
Sunday, June 14, 2009
Paying Attention
Monday, June 01, 2009
The Just Shall Know That They Only Live By Faith

Faith means through a mirror dimly or “through a glass darkly.” It’s what we do. I leave the rest to Caputo whose On Religion and What Would Jesus Deconstruct? are worth looking into. Sans, incidentally, means without:
“Through a glass darkly…means sans apocalypse. Even the Apocalypse is sans apocalypse. That means that the believers in that book should temper their claims about The Revelation they (believe they) have received, since it is their interpretation that they have received a revelation, while not everyone else agrees. A revelation is an interpretation that the believers believe is a revelation, which means that it is one more competing entry in the conflict of interpretations.” John Caputo, On Religion
Interpret away, my friendlies.









